Day 101 (Tues April 11) Another Lighthouse, Sheeler style

I guess I may end up working my way through each of Peter Sheeler’s tutorials. They are perfect for my 2017 project, and I feel very comfortable with the style. And they are small and fit well in my sketchbooks. I’ll add the link for the Uniball deluxe micro pen again from Amazon. This is the three pack. It is really nice for this (or regular writing) and SO affordable. I love my special art supplies… but this pen is probably one of my favorite finds. This micro deluxe, also here in a set of 12 for $20, specifically says waterproof, and I haven’t tried the regular, so I don’t know about it
(although it says the regular protects against water, fraud and fading).

(In case you’d like to try it, this is a link to a set of 12 for $5…  the regular uniball micro, not the deluxe. I have only used the deluxe so far, listed further up, and love it, but I may try the regular since it is SO affordable, and compare sometime. If it is waterproof and fade proof, and creates a nice line, that’s all I’m really looking for.)

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Day 29: more watercolor study

I really like Peter Sheeler’s style… his quick loose sketches are exactly what watercolor is noted for AND exactly what I’m worst at (I think. I may not have found my worst yet) And I love the look. I’m going to continue to try his tutorials. There’s a lot I can learn from them. (I won’t do this every day, though… I’ll try to mix things up for you!)

I am finding that my lower grade paints and papers do not react the same way his artist grade supplies do. The end result is ok, but not the same. Some of this, I know, is skill, but since I am watching what happens as he applies the wet paint, I can see that some of it is materials. They simply act differently. I’m not prepared to drop several hundred dollars on paint. Or paper. Right now. But this is something I’ll need to adjust over time if I plan to pass a certain point, and maybe purchase even one or two colors at a time of some superior line. Regarding paper, some artists recommend purchasing student grade paper on which to learn and practice (that’s what I’ve done, and it made sense to me, since some of what I produce will be useless, and none of it will be “art” I plan to display.) Steeler suggests purchasing high quality paper from the beginning, and says you’ll have to relearn skills when upgrading from less expensive to professional paper because it feels and acts differently. This makes sense to me, too. I’ll think about it over the next few days.

These were sky studies.