Still following Steven Cronin’s tutorials, here are a couple more.
I tried a cheap acrylic brush for this first one because I didn’t have the hake brush he used, but it absolutely didn’t work. Left stripes everywhere. It is very stiff and bristly feeling and (turns out, after a moment’s research) the hake is very soft. The mountains are supposed to have three layers so you see distance, but the first layer was too wet and bled too much. The second layer too dark, so the third also too dark. I like the way he lifted a tiny sail out of the paint on the mountains to show boats in front of them. The rocks in the bottom right worked better today that yesterday. But not like his. They were scraped away with a bit of plastic gift card.
This second tutorial used the same hake brush (!!) which I still didn’t have, but a different technique. He dried the whole painting, then wet the whole thing again, adding another wet layer, dried it again, added another layer. So I learned that if I wet the whole thing evenly I can rework it a bit. I’m happier with the light here, but the red I added to the clouds didn’t want to lift, and my little foregrounds on the right are too symmetrical. Still, it’s a light study, and I learned about light:
Using a very limited palette, three colors, on Arches cold pressed block, with Daniel Smith watercolor paints. I like the way dried pans feel better, but I think Daniel Smith tubes might be better quality than any dried pans available.
If I crop it this way, I really like it a lot better:
ThreeSixFiveArt 