Following a Rose Tutorial by Jay Lee

Here is the rose I painted during the livestream session today (and what could be nicer than painting on a rainy summer day?) :

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It isn’t bad, but if I showed you Jay Lee’s rose that I was copying, you’d see why I wasn’t happy with this. I see what he did. I just didn’t do it. I was trying to paint what he painted as he painted it, and I couldn’t keep up… So afterwards, I pulled up my own reference photo, and came up with this:

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Still not perfect, but I do think it is better than it would have been in early 2017. So I will keep moving!!

 

Quick watercolor doodles

Leaves and balloons… what could be simpler?? Trying out some new Schmincke colors here.

And with that… ta-daaaa! This watercolor journal is complete!! Woo-hoo!! On to the next. But first:

I’d love to hear your thoughts on fugitive* colors… (particularly Opera Pink… PR122, which came in my newest Schmincke set.) I keep pulling out any fugitive colors I have in my sets. And I’ve been really picky about choosing paints with good reputations in lightfast ratings. Lately I’ve seen artists saying they don’t worry about fugitive colors because they are only painting in journals, it wouldn’t be hanging on walls, etc. I think my work will mostly remain hidden as well… it just seems to me there are so many lightfast colors available, why should I include those known to fade in my selections? But maybe I’m worrying about nothing?

Maybe I’ll accidentally create something amazing in a journal one day and want to display it? Shouldn’t I plan for any eventuality? What are your thoughts on fugitive pigments, and how do you handle them when they come in your sets?

(*Fugitive colors= pigments known to fade over time when directly or indirectly exposed to sunlight)

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