Using Joyce Hicks’ art as inspiration…

When I say “using” I mean “copying”… but I think it is different enough that she will be happy. Go check out her work at https://www.jhicksfineart.com It is lovely. So light and airy and beautiful. I really want to learn to paint as freely as she does, and you can tell from my attempt that I HAVEN’T! But it is only my first attempt. I’m confident I’ll improve.

DaVinci watercolor has a new palette with colors she inspired, including Joyce’s mother green, which you can see through this link: https://www.davincipaints.com/category-s/123.htm (I am not affiliated with Davinci, I just enjoy their paints and find them both quality, and affordable, which is nice!)

I purchased her palette, and after swatching the colors out, wasn’t terribly interested in it, to be honest. Then I ran across a little tutorial Joyce offers using the palette… https://youtu.be/K3DNoaKqHJk This tutorial was not what I expected. AND it was easy to do, and fun. It got me wondering about some of her other things, so I pulled up a couple more tutorials to watch, then found a painting of hers to attempt. Once I started, I realized I really didn’t know what I was doing. But I completed it, (using her palette!) and I’m really happy with it. A friend wanted a painting of a house with the word “prosperous” on it, and I thought she might really like this, so I added it when I did the finishing touches, cropped it to 5×7 ( for convenience for her, but also happy to crop out a mistake or two)

I learned a lot from this painting. It is hard not to just focus on the errors, but there are things I like too, and I really like her layering techniques. I’m so glad I tried something I didn’t feel ready for, and hope to do more.

I’m afraid I didn’t think to take photos of the different stages.

Almost done.
After darkening the shadows and bushes, and adding the sign.
The cropped image, 5″x7″
In a plastic sleeve, ready to mail out!

There are glaring mistakes, I know! But still, isn’t it cute? Joyce Hicks is good! I will keep trying to learn from her.

Finally painting and sketching again! 3/8/2020

I’m not even sure what happened, but since the new year (and my heart incident!) I haven’t done much art. I’ve missed it, to be sure, but I have stayed busy with other things. But I’m trying to make it a habit again… plus… I have projects I’ve promised people that I need to get on with!

I used my “new” porcelain palette, FINALLY. New?? I got it this fall. A REALLY excellent price (I can’t remember where… I think Cheap Joe’s?? Like… under $20!! It’s big, with large wells, and a clear plastic cover to keep newfie hair out. -It tries, anyway) For some reason it just put me off. I think because it’s so large! (??) I had fun choosing colors, then never used it! Just stared at it on my drafting table as I did lots of other things. And watched old seasons of Survivor.

But this week I painted a birthday card for my sister, and made her a little heart origami bookmark, too (in JMU colors!)

I also had a “spring” swap due out (on swap-bot.com … if you enjoy crafting, arting, and pen pal-ing, check it out!) so I decorated this envelope:

(blocked out the addresses but you get the idea)

And finally, I started a project for a book illustration for my niece:

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I did NOT use only my large porcelain palette for this… I also used my new Roman Szmal watercolors! but…that’s the next post!

 

Watercolor Lightfast Testing…opera… 2/1/2020

When I started with watercolor, my head was SPINNING from everything there is to learn. Granulation, transparency, tube vs pan, manufacturing differences, lightfast ratings. It was so much for me to take in! Over time, I have become more familiar with terms and characteristics of watercolor. If you are new to watercolor, don’t despair! Soon it will be easily understood! Let’s discuss lightfast rating just a little bit…

In 2018, I set up a miniature “lightfast test” of my own. Pretty simple, not scientific at all, but good enough for me. I tested only three colors… opera rose, carmine, and mayan blue dark. Let me first try to explain the idea of lightfast ratings a bit. (If you are not new-ish to watercolor, skip down to the other photos! This might be boring for you!)

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The pigment which paint manufacturers use (they are mostly all the same pigments, with some exceptions) have a lightfast rating from the ASTM (American Society for Testing and Materials), but the individual paints (which are made up of one or more pigments, combined with different binders, and sometimes other fillers) have a lightfast rating which may differ from the pigment rating because of the way it is created, or the pigments or other things it is combined with… I’ve made it clear as mud, right? This rating tells the artist that a paint should retain its color and vibrancy for x number of years… generally a top rating, “excellent”, will last over a hundred years, a color rated “very good” should be stable for at least 50-100 years, those rated “fair” should last 15-50 years without change, “poor” will last 2-15 years unchanged, and “very poor” (or fugitive) less than 2 years. It gets more complicated than this, though, because these ratings also take into account sun exposure, which part of the world, time of year, etc. Also, some companies break it down into more categories, some into fewer. But generally, the idea is the same.

Several artists I follow use opera pink, knowing it is fugitive, but they love the intense brilliant color. One of them insisted its fugitive nature really doesn’t make a difference that she can see. She even sells her work! This got me wondering about opera pink, (which I have never even used because of my fear of its fading) -But also about other favorites I have that are labelled II for lightfast instead of I. Paint companies say their top two tiers are both perfectly acceptable for artists to use. But… are they?? (And why the heck am I so intimidated by these lightfast ratings??)

In September of 2018, in an effort to calm my fears about lightfastness once and for all, I made a little swatch of my only opera (Schmincke’s opera rose… a brand I certainly trust), and another swatch of Carmine (Daniel Smith, another great company… this is the pink/red I was using at the time, only because I received two free tubes of it, and liked it fine.)

Schmincke’s Brilliant Opera Rose, PR 122,  has a  fluorescent additive, rated “fugitive” by Schmincke, as any fluorescents are by other paint companies. Schmincke paints, generally, have high lightfast ratings. You won’t find many fugitive colors in their line. The fact that these well respected companies still sell fugitive colors makes me think, well, artists still want them.

The term fugitive, relating to watercolor paint, means this color will change or even fade completely away quickly if exposed to light , humidity, etc. Artistnetwork.com says to consider a fugitive color as temporary.  Opera rose has that fluorescent additive, giving it a beautiful unique vivid hue, but in my mind this means “Caution! don’t paint with this!”… But honestly, I am giving up some beautiful colors with this thinking. (Although… if you saw my watercolor collection… I’m quite greedy and you would quickly realize I have plenty of colors to choose from… and really, now I wish I only had 24 or so. Because I quickly develop Indecision Painting Freeze when looking at all those very similar colors. But. That’s a discussion for another day)

The other paint I tested, Carmine, PR 176 , is rated II by Daniel Smith,  which is the second highest and considered “very good” by the company. With my limited experience, I have still been wondering whether the difference between I and II is enough to worry about. I mean, the paint manufacturers say it isn’t. And lots of other things I’ve read also say, use paints rated Excellent or Very Good with the same confidence. So. Here’s what I did. (spoiler: it wasn’t sufficient)

I swatched both opera rose and carmine, on quality watercolor paper, then 6 months later in March of 2019 I added a swatch of PB82 Daniel Smith’s Mayan Dark Blue, … because I love it but I had read it might fade. I cut the sheets down the middle. I placed one half of each, labeled with the color name and date, in a closed security envelope, and the other halves I taped to my studio window. This window faces south and we live in Virginia, near the ocean. It is exposed to sunlight most of the day, particularly in the afternoon. I have no idea really how this affects my test but I know it DOES.

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I checked my original two swatches after 6 months, when I added the mayan dark blue to the group, and saw little change in the carmine, but did notice a change in opera. Not as much as I’d expected, though.

One thing I DID learn… washi tape, left on a sun exposed window for over a year, does not like to come off. 😦 Yeah, do this a different way.

(I took this photo today, to show you my washi tape error. I don’t want you to think the swatches weren’t in the sun, though… today it’s quite wet and overcast… it is generally sunny in this area. Trust me, these swatches were sun-exposed… sometimes I feel like our weather in Virginia is like Camelot… and if you get that, you may be a musical theater geek like me… post the reference in the comments!)

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Also, don’t tell my husband about the window.

Today I checked them…

Carmine :

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Carmine lightened all the way down. Particularly noticeable where the paint is more diluted.

Opera Rose :

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Opera Pink lost its brilliance, and basically changed color. Maybe that’s what PR122 looks like without the fluorescent additive? Also, it occurred to me the fugitive control swatch may have changed even in the envelope?? So I did a quick fresh strip of color on the swatch to compare:

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You decide. Looks the same to me?

Mayan Dark Blue :

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Pretty good at its most intense, saturated level. Obviously faded, though, where more diluted with water. This color seems like a nice replacement for another I love, Indigo, and generally indigo, pure indigo, isn’t very stable. BUT, Daniel Smith’s Indigo  is a hue… a mix of two other pigments, lamp black and indanthrone blue, (one of my favorite blues, by the way) and is rated I for lightfastness. (Did I mention there is also some controversy over whether you want to use a single pigment color, like mayan dark blue, or a blend of two or more pigments, like DS indigo?? Which is why I considered the mayan dark blue… it really isn’t going to matter, though, except when mixing colors, and you will learn as you experiment with your colors what works… so DON’T worry on this account)  I didn’t test it… but my assumption is DS Indigo would have faded less or not at all (I told you… this wasn’t a very scientific test.)

Another thing I didn’t test… I’ve heard that if you blend a fugitive color with a lightfast color, you have to worry less about a color shift. I have to be honest, this doesn’t make sense to me. The lightfast color isn’t going to change, but isn’t the fugitive color still as unstable as ever? I suppose if you use mostly the lightfast color…

The fading of the “Very Good” colors, when used in a diluted manner, surprised me. I expected the opera to be significantly more altered and the other two to remain unchanged. As I mostly paint in journals, for myself, it won’t affect my work. And also won’t matter for any prints I sell. I will be honest, though… as I use up colors, I may look more at replacing with those rated Excellent as opposed to Very Good, so I don’t worry about it. Except my favorites. Of course. Like Da Vinci red… which I can’t imagine painting without. After all… I won’t be hanging the paintings in my studio window…

My recommendations, based on this teeny tiny test: Find good quality paints, and trust their colors. Within reason. Use the colors you love… pay attention to the lightfast rating, but don’t stress over it. If you love a color, use it.

And… I think I will test some of my “Excellent” paints this year and see how they hold up to those harsh conditions. If they fade at all, I can stop worrying about the difference.

I’m listing a few of my favorite brands here… I can’t find an Amazon link for Da Vinci, so I linked to their site. Those tubes are generally by far the most reasonably priced, and I love their colors. AND… watch for a sale, they had one in December which I missed but the watercolor deals were spectacular. If you purchase anything from Amazon using these links, you should know I will get a tiny percentage back, and thank you for supporting the blog! I will only link to something I absolutely love, so know that if it’s listed, I enjoy it. Happy painting!

Schmincke color selection one,
Daniel Smith’s introductory set
Da Vinci’s original watercolor palette, reg $112, on sale now $56
Qor introductory earth set, on sale $20.99
M Graham starter set

 

Thirty Days of Everyday Life, Day 9: the Fourth of July!

I miss the way we celebrated July Fourth 20 years ago. But things have to change. In twenty years, I’ll miss the way we celebrate now, I guess!

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A lovely day, really. 🙂

Spring Tulip 3/20/19, and da Vinci Quill Brushes

This is direct watercolor using A. Gallo watercolor paint on Arches 100% cotton cold press paper (in the book I made in a previous post), using one of my new favorite brushes, the da Vinci Casaneo Quill Brush, size 2. (This is an Amazon affiliate link, and I get rewarded (a little!) if you purchase through this link, without it costing you more… but shop around! I haven’t checked prices on these elsewhere recently. It is $29 right now, but I only paid $21 a few weeks ago… maybe try to wait out a price decrease?)

 

Quill brushes are sized differently than round brushes (though both are round!) and a 2 quill is maybe like a 6 or 7 round brush. A pretty convenient size. The brush is soft, keeps a beautiful thin tip, holds a ton of water, and this one snaps back nicely. It is actually made from synthetic fibers, and I was surprised by the water it holds. … the brush head itself isn’t as long as I thought it would be. I wonder if that explains the snap back that it has? So far i have enjoyed it immensely, and love the size 0 I got just as much.

This afternoon, I was reading this blog post by a friend of mine, Chandra, from Swap-bot, … She takes beautiful photographs, and always has such thoughtful things to share. I was inspired to try painting one of her tulips tonight. Ok, it turned into something very different, but it’s all good practice! If it looks unfinished to you… that’s because I don’t really know what I’m doing yet. I’m more comfortable sketching in ink, and filling in.

Happy first day of Spring! Go paint a tulip or something anyway!

🙂

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Saturday, March 9, 2019… pretzel dog!! yum.

I went to MacArthur Center in Norfolk today for a little indoor urban sketching… which I’ll post tomorrow. But for today, finally another journal entry. 🙂 Auntie Anne’s pretzel dog. A much tastier indulgence than I expected it to be.

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Poppies. And daffodils. And a new travel watercolor idea…with magnets, tin, and paint!

(This post has affiliate links)

So after watching “Following the White Rabbit” set up her palette  on Youtube, I was inspired to look around and see if I had a similar sized tin. I found two. One is a Pentalic drawing pencil tin, the other BARELY larger, a Sketchbook watercolor pencil tin. The tiny bit of size difference allowed the Sketchbook tin to close perfectly over my half pans, and fit an extra row of pans, too (or brushes, if I prefer, later) Plus, it’s pink and cute.

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It’s slim, lightweight, already painted white inside, and EXACTLY holds three rows of 9 half pans, so I can use it in the studio or out and about. I filled it with lots of Daniel Smith, a few Schmincke, 2 QoR, and even one A.Gallo paint.

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(yeah this is what my table generally looks like)

 

I ordered THIS magnetic tool wristband from Amazon for under $10. (Arrived in two days… bless you, Amazon) Some of the other bands’ reviews said the magnets weren’t strong enough, so check reviews carefully if you don’t get this same one… this one is quite strong enough for my needs! (You see where I’m going with this?)

I added super strong little magnets (Found HERE on Amazon) to a little plastic cup with a screw on lid, and to the bottom of a swatch card I made of the colors in my palette, set the whole thing on my wrist and was ready to try a painting… (I use E 6000 glue because I have it… there may be other glue that works for these magnets as well. Somehow between December 1st and today I have used 99 of these little magnets!)

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This worked great, and I THINK might be even better once I take it “on location” somewhere, because I’ll have my etchr bag with me to rest my arm on! It would fit ANY size tin, and I have much smaller ones if I want to use them instead, but this tin is very lightweight.

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So what do you think? Love the idea, or hate it? What type of things have you tried to make plain air or urban sketching more convenient?

-Indigo watercolor journal (I like the paper, I don’t like the spiral binding), Daniel Smith paint (Perylene red, lemon yellow, quin gold, green apatite, Uniball Micro Deluxe pen

Christmas Gift Ideas For (You or) Your Artist… ‘Brushes and papers and paints, oh my!’

I’ve learned so much this year about art products, through both research and trial-and-error, and I  have developed definite ideas about which supplies I love (or hate). I’m hoping some of this information will be helpful to you, and you won’t need to try as many different things as I did, or spend as much time researching.

If you have an artist or aspiring artist in your life, some of these may be good gift ideas for them. (Heck, I’d swoon at receiving any of them! And I already have them.) Or.. maybe you need a little pick-me-up yourself? No judgement here… a good artist quality supply can turn my day around. You are treating everyone else this holiday. Treat yourself a little, too.

(I get a few cents if you purchase the item through these links (the Amazon ones), without it increasing your cost at all… but look around a little anyway. I typically find my best prices through Amazon, but occasionally purchase from Jacksons or Cheap Joes or Wet Paint Art… I’ve tried to link the lowest price I can find, and listed it, but prices change daily.)

Everything is click-linked for you. Let me know if you have questions, or comments about any products you’ve tried!

PENCILS:

 

To be honest, I think any mechanical pencil works great for me, but I’ll list several I enjoy.

My first choice:

Sakura SumoGrip .7mm pencil   This is a fat pencil that I had to get used to. Now it is my go-to pencil …in part because I have misplaced my Pentel… but also it is listed here because it feels good in my hand and has a large twist up eraser, no cap to remove… is only $4.98 right now on Amazon. 🙂 It is available in .5mm, .7mm, or .9mm lead.

Pentel Graphgear 800 Love this one, too. This shiny black and silver pencil has a serious appearance, and feels nice, heavy and solid. And rubber grips. ($8.79 right now.) .5 lead, eraser under the cap.

Alvin Draft/Matic .9mm pencil  ($9.40). Kind of a “putty” colored barrel (they call it burgundy), eraser under the cap, and you can purchase it in .3mm, .5mm, .7mm, or .9mm, all at nearly the same price. This pencil does a great job. I’m not a pencil artist, so really one or two sizes is plenty for me. (there’s only 1 left at this writing, with this seller, so move quickly if you want this one)

Staedtler Mars 780 Technico 2mm pencil  I had to mention this slim blue pencil, because it is cool. It has a 2mm lead, with a sharpener in the cap. No eraser. I know sharpening a mechanical pencil seems ridiculous, but it is necessary for this fat lead. I don’t NEED this pencil. But it’s fun. And it feels so professional and REAL. $8.90.

**My recommendations? The Sakura or Pentel. Or any old mechanical pencil you have sitting around.

PENS:

Uniball Deluxe Rollerball Pen, Micro Point, Graphite barrel, .5mm $7.19 for 3. I started using this pen after watching Peter Sheeler use it in his watercolor demos. I LOVE this pen. Who knew you could use a ball point pen for beautiful art?? Not me. I use these for art, AND for every day writing. I keep them all over the house. Archival, waterproof ink, no skipping, great inexpensive pen. This is a pretty good price, and though I feel like I have seen them for less occasionally, generally anywhere from $6-$8 for 3 is pretty good. You can also get this in a 7mm if you prefer lines a little thicker.

Pentel Portable Pocket Brush Pen, Medium point. With 2 refills. ($8.29) I ADORE this real brush pen. (not a felt tip) The ink is archival and waterproof once dry. I use it mostly for lettering in my journal, but some drawing as well, and can paint over it without trouble. The Copic brush pen is a bit less expensive, and good, too, but this one writes better for me than the Copic brand. This comes with 2 refills, and you can purchase more refills separately.

Darice Studio 71 Alcohol markers ($59.99) I finally found alcohol markers WITH A BRUSH TIP that I was willing to pay for! When I ordered them, they were $46 for a 48 piece set. The price is elevated now, either because they’ve become more popular, or just for Christmas, so might be worth waiting till January just to see what happens? But even at $60, I feel like these are a bargain. Chisel on one end, brush on the other…. It is crazy hard to find an inexpensive brush tip alcohol marker. The ink color matches the marker end pretty well. Pens have a rounded triangular barrel so they don’t roll, chisel end is labelled with a band so you can easily tell which is which. The set came with a blender, and other sets are available as well.  Copics are better for a true marker artist, but these are great for me. I just need a little plop of color now and then. $1-$2 a marker instead of $5-$8? Yes, thank you. These babies took me two years to find.

Darice grey set, $10.99  (I love having a set of grey pens, and this is a good way to try the markers out if you aren’t sure)

Now. For the Fun Stuff.

PORCELAIN PALETTES:

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I’m addicted. I keep hunting for things I can use, like that dish pictured above from Grove Collective, made to hold soaps or hand towels. (Check thrift stores for a white deviled egg dish! Look for white ceramic, with wells all around, and a flat space in the middle. You may find a deal!)

I think every watercolorist should try a ceramic/porcelain palette, and for the amateur artist this doesn’t need to be a huge investment. There are some gorgeous very expensive palette dishes out there, for holding and mixing colors, but let’s start small, with mixing space only, and leave the monsters for next year.

American metal craft tray with sauce cups, 13″x6″ ($14.40) This is actually a sushi plate, and my favorite palette dish. There’s a larger version I hope to purchase later next year. This has a nice shallow lip, and a large flat space for mixing PLUS two small separated cups, so I can mix all in one space and also have an area I can keep paint separated. Plus it is pretty. One palette? This is it.  I don’t need the others. Necessarily. But, don’t touch them.

Atworth News Ceramic rectangle artist palette ($13.99) This says it may not arrive by Christmas (although mine arrived much more quickly than expected, took only about two weeks) This is a rectangular palette with 9 rather deep wells… 6 small, 2 medium, 1 large. The whole palette is quite small, 4″x7″. A good palette if you want small defined spaces. I bought this palette as a gift, I haven’t used it myself, although I’m tempted to keep it. 🙂

Mini Square porcelain plate, 3″ ($22.99 for a set of 10) Do I need ten tiny palettes? NO! BUT, these are perfect for taking along in my travel paint bag (everything is mini) I love these. And I also included them in some small travel watercolor kits I made as gifts. I keep a couple on my table and one in my travel bag. If you could find someone to split this set with you it might be a valid expense.

Porcelain Soap Dish, 2 pack ($11.95) These are nice because they are small (maybe 3×4? I could include one in my travel bag, and they take limited space on my table) and have a nice shallow lip. I couldn’t find anything cheaper, with a flat white surface (I didn’t want wells) but you might! Any white flat ceramic dish will work. You can go to the dollar store and find a plate.

PAPER:

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I really love trying paper. It all makes such a difference. I have tried LOADS, and I won’t list them all here, but there are lots of good papers out there. 100% cotton does make a difference, but pulp paper is great for swatching and messing around. Most papers come in hot press (very smooth) or cold press (rougher texture), and in various sizes. Some come very white or less white. Some come in sheets, pads, or blocks.

Strathmore 5″x7″ individual sheets 25 sheets, 100% cotton, 140 lb, cold press. This is nice paper at a decent price. ($7.72)

Bee paper, 100% cotton rag, 6″x9″, 50 sheets 140 lb, cold press, ($14.80, about the same price right now as strathmore, but I’ve seen it cheaper)

Fabriano white 100% cotton 5″x7″ block 140 lb cold press 25 sheets ($15.86)… comes in larger sizes, too. I’m not an expert, but I prefer Fabriano to Arches right now. (Arches seems to be everyone’s favorite) This paper is glued around the edges… you paint, and peel the sheet off by slipping a palette knife (or anything flat) between the sheets. The block keeps the paper from curling up with the application of water, and I love it, even though I don’t always use a lot of water. Getting the same paper in a pad instead of a block will save you a lot of money, but a block is fun to try if your budding artist hasn’t already started with one.

There are a lot of great watercolor journals out there… search Amazon… Field, Pentalic, Strathmore, I love them all. You can find soft or hard covers, spiral or book bound… However my current choice:

Stillman & Birn Beta softcover sketchbook 5.5″x8.5″, 180lb paper, cold press, (but with limited texture), white paper. ($13.52) These pages can’t be removed, but I love the feel of this book for my daily watercolor journal.

Reflexions watercolor journal by creative mark.. ($19.97) 140lb cold pressed paper. 5.5″x5.5″. I recently purchased one of these and haven’t painted in it yet, but I like the feel of it. The interesting part of this book is that the pages are perforated so can be removed. (I paid less for this one on my trip to Jeyrrys artarama, so maybe shop around) I probably will never remove a page, but I thought it was a nice feature.

Canson Watercolor ArtBoards Cold Press (lightly textured) 8″x10″, different sizes available ($13.93) 10 boards, attached kind of like a watercolor block. This is an interesting paper I hadn’t tried until recently. These boards are great for plein air painting, because the paper is permanently attached to a board. No taping, and it won’t get rumpled on the way home.

BOOKS:

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I only have two, but I LOVE them.

Draw Your Day: An Inspiring Guide to Keeping a Sketch Journal by Samantha Dion-Baker ($14.40 paperback)

The Joy Of Watercolor: 40 Happy Lessons For Painting the World Around You  by Emma Block ($12.23 hardcover)

Both of these artists really match my style and I’m having a lot of fun going through their books.

PAINT!!

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Yeah, that’s what I’m talking about.

I have WAY too many types of paint. I try them all. But my very bad addiction might save you some money. You can definitely find less expensive paints for a beginner. But if there is ANY chance they will stick with it, and you can afford it, get the good stuff. It makes a huge difference. And there’s no reason for them to have a student set AND professional set… or more. Here I list my very favorites…

Schmincke Horadam Artist Watercolor Trial Selection #1 ($28.07, six tubes) This is a good starter set of colors. Admittedly, if you give someone these paints you may be fueling a long and expensive addiction. But if you love them, give them the best. Schmincke uses the same formula for their pans and tubes, so these tubes can easily be added to pan sets, which are easier to find (bur costly). I like Daniel Smith paints better, MAYBE, but something about Schmincke (besides the obvious quality) has captured my heart and simply won’t let go. If you purchase tubes, they are going to need some type of palette, or tin with pans.

Schmincke Horadam Artist Watercolor Trial Set Selection #2 ($38.74, six tubes) A great set of secondary colors.

Daniel Smith Extra Fine Essential Introductory watercolor set ($32.07, 6 tubes) This is a better set for being able to mix pretty much anything than the Schmincke color choice. And with Daniel Smith you are definitely setting your loved one on the path to potential financial ruin. There are a TON of colors, more than any other brand, and while at first your artist will know that they only need 6, or 12, or 18 colors… at some point they may look at their paint smeared fingertips and their 116 tubes and think What in the world happened??? I have tried not to fall prey to them, but Daniel Smith has some drop dead gorgeous fun colors to paint with. Do you NEED them? No. But my oh my the granulation you can find, and the unique colors… especially in the primatek line. And as for lightfast ratings, these paints can’t be beaten.

Daniel Smith has just come out with several PAN sets, for the first time ever. The artist world chatter is that the paints are great but the palette pan itself isn’t particularly well thought out. Check http://www.wetpaintart.com or Amazon. There are several sets with 6 colors, and 9 empty pans to fill yourself, all between $54 and $60, and one set with 15 filled half pans for $101.88.  This is a very good starter set… particularly for someone who doesn’t know what colors they’d want, or what palette etc… The Schmincke pan sets come with a nice metal palette.

Golden Qor Mini Half Pan set of 12 colors ($69.35) Some artists don’t care for QoR paints, but I love them. The do work a little differently than other brands.. more flow, less lifting ability…. but basically they are just fun to use. Not my first go-to paint, but I wouldn’t ditch them for the world. And the tin is nicer, in my opinion, than the daniel smith palette pan. QoR offers tubes as well.

(Also, I just found a 6 tube introductory set of QoR watercolor paint tubes  on sale at wetpaintart.com for $20.99!)

Foldable paint set, 42 colors ($14.99) Quality lightfast paint? probably not. But I gotta say, this unique little set is perfect for a small financial investment with big fun return. Lots of colors to try, and travels well. It has its problems.. some colors are more difficult to reach, and the swatches don’t match the colors AT ALL. (I remade mine and glued them in place) But this set is cheap, interesting, and fun. For the price of one tube of artist quality paints, you are done, and you get a water brush, too. A good call for someone just starting out, or as a fun addition for someone further along, but these will probably not be their dream paints. Go back to Daniel Smith or Schmincke for those.

EEM Handmade Watercolor paints I love these hand made watercolors. She doesn’t have many available, and they sell out quickly, but it is worth the time spent watching to see when she adds paint. Right now theres a pink, blue, and sienna I know that are still available, all of which I like very much. And she has some sample sheets with large sample dots. They travel from Germany so leave lots of shipping time. I think any watercolorist would enjoy receiving some of these!

There are loads of other sites with good handmade watercolors. Pfeiffer is one brand that comes to mind. Check Etsy if you are looking for more!

BRUSHES:

ZEM Brush set, Kolinsky sable ($27, set of four, #1, #3, #5, #8) These brushes surprised me. I bought them as a gift and can’t say how long they might last, but so far they have performed well. This might be a nice starter set of brushes for someone wanting to try sable, but unwilling/able to spend hundreds of dollars doing it. I really hope they last well!

Winsor 7 Newton Series 7 Kolinsky Sable Watercolor Brushes  These brushes are expensive but are my very favorite, when I can find a deal. The size 4 here is $25.34, a great price, and the 6 (4 and 6 are sizes I use constantly) is $55. A week ago it was $41 and I was so excited to share that price with you. 😦 I’m sorry I waited! Anyway, it is still better than what it costs at Jerry’s.

Natural hair bristles are by far my favorites over synthetic. Except this one:

Raphael SoftAqua Synthetic Quill Brush #4 ($24.02) I have the mini travel version of this (super short handle, by the way… a great brush but I don’t recommend it because of its size)  and was pleasantly surprised by the performance of the bristles. I thought it was squirrel or other natural hair!

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WATERCOLOR PENCILS:

Caran d’Ache Museum Aquarelle Introductory Set of 12 ($36.02, a great price!!!) There are 3 or 4 different color sets. These watercolor pencils are TOPS. You can find MUCH cheaper pencils, but you will not find something that feels like this. I’m not even suggesting other brands.

COLORED PENCILS:

Faber-Castell Polychromos set of 24 ($37.20 (incl shipping) for a tin of 24. These pencils are so creamy-dreamy. Caran d’Ache makes a Luminesse pencil which I imagine rivals it, but I haven’t tried it myself so can’t recommend it yet. I don’t use pencils often, but adore these buttery creamy gems. I’ll admit I was anti-colored-pencil for decades until I found some artist grade colors to try. These are not your grade school pencils.

GOUACHE: (think “opaque thick watercolor”)

Caran d’Ache Studio Gouche tin 14 colors in pans, a tube of white, a brush, in a tin. ($32.78) Pretty cool. You can get a set of 8 as well, for $18.73.

I don’t use gouache much (yet?) but have found this to be the only pan set. I enjoy using a couple of M Graham gouache tubes I have, and I have a big set of Arteza that’s fine for starting out, too, and gives you lots of colors. (Arteza makes inexpensive students materials, but generally I’d rather spend a bit more and get higher quality materials, so I haven’t tested most of their products.)

MISCELLANEOUS:

Faber-Castell Dust Free Eraser ($8.44) This is a set of four, so the price is good. But to be honest, if you can get to Jerrys Artarama, or another art supply store, You can purchase just one or two at a time. By the way, this does leave a bit of eraser behind, but not lots of tiny dust. A firm white eraser.

Vanish 4-in-1 eraser ($6.99) DON’T pay seven bucks for this if you can help it. I got mine from Jerrys Artarama, right by the register, for a dollar, I think. Look for a better price. This is a good soft eraser. Mine does leave lots of shreddy mess behind, but don’t most erasers? It doesn’t damage my paper and erasers everything. I don’t know what the 4-in-1 refers to.

Ranger mini mister 3 pack ($5.96) ANY mini-mister will do, it doesn’t have to be Ranger… these are great for spritzing your pan paints or spraying on the painted page for effect.

Mijello Martin Airtight Plastic Watercolor Palette 18 wells ($9.24) PICTURED ABOVE. I tried all kinds of inexpensive palettes, and this is still one of my favorites for using tube paints. The drawback… you can’t rearrange your palette easily. However, the wells hold a lot of paint, and theres a lot of mixing area. It is plastic, but performs better than most plastic palettes. (Hit it with a mr clean magic scrubber if the paint beads too much) There is a clear palette tray that fits at the top. I painted a swatch card following the shapes of the well area and stored it behind that tray., so I can always see it but also can still use the area for mixing.

Meeden metal palette case with 12 full sized pans ($13.99) If you want a relatively inexpensive metal paint palette, to both hold your half or full pans and to use a mixing area, look no further. Meeden is pretty good. Schmincke and Whiskey Painter are BETTER empty palettes, but considerably more expensive. And not THAT much better. You can get this in several sizes, empty, with empty half pans, or with empty full (sized) pans. Go shopping!

6x1mm neodymium magnets (200 for $24.99) I had trouble finding exactly the thickness I wanted in these super strong magnets, 1 mm. (don’t let small pets or children play with these, you don’t want these ingested!) While creating this list, I didn’t find the set I purchased, which had 100, only this 200 count set. I glue 2 of these onto the bottom of each plastic watercolor pan… then I can use them in the metal palettes (like Meeden, above) OR in any little tin that I reuse as a travel paint palette. I use a lot of these.

100 pieces plastic full sized watercolor pans ($11.99) I make watercolor pans pretty often so end up using a lot of these, but there’s a set of 24 for $5.99 that normal people may like better. Theres also This Set of 64 half pans with strip magnets for $9.99… the magnets aren’t as strong, but if you can’t find a smaller number of the  1mm neodymium magnets or don’t feel like gluing, these work fine. I prefer full pans, but have lots of half pans, too.

Etchr Slate Satchel Bag ($139 on sale at wetpaintart, but oh so cool if someone likes to paint outside their home!) Ok, I don’t have this yet. But how can it not be cool? Also, take a look around the wetpaintart.com sale site while you are there.

So, these are a lot of the favorites I’ve found over the past two years. I hope you found something in here helpful. Happy shopping!

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Day 6, 30×30: EEM watercolor flower studies

Playing around with my EEM watercolors, just seeing how they flow, how they mix, etc. I really like them a lot. I have two full pans (burnt sienna and mais), and two colors samples (tia and copper blue) so originally wasn’t sure I could do much, but you can really get quite a few mixes with these few colors. I hope to get more soon, but she sells out quickly!

 

My internet isn’t working correctly. I can’t get the rest of my photos to post, so the “featured image” is it today.

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