Day 10, 30×30: Instructions for painting a watercolor galaxy

I wanted to see how the EEM handmade paints work in galaxy paintings. I used Tia and Burnt Sienna for the centers, and used Daniel Smith’s indigo for the rest.

I started by taping my watercolor paper to a board and taping off the edges. I dipped a small (cheap) paintbrush in dishwashing liquid, wiped off the excess, then dipped it into masking fluid.  The soap protects the bristles… without that step, the masking fluid will ruin the brush. Don’t use a nice brush, as it may ruin it anyway. I then tapped it against my finger to spray tiny droplets of masking fluid across the paper.

(On my first two attempts, the droplets were just a bit too large. I tried again using a very tiny stiffer brush and had better results. A small flat brush or a toothbrush would work as well, if you want to run your finger across it for the spray, but I prefer tapping it against my hand or another brush)

Once the fluid has dried, the next step is to take the brighter color and apply it in the middle of the paper. Drop it in, or apply using small circular motions, making some areas heavier and some lighter. Look how beautifully Tia granulates. Sadly, it is currently sold out, and I’ve just about used my sample up, but I’ll let you know when more is available! Soften the edges a bit with water.

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The tutorial I followed in January by palestblue on youtube suggests using the indigo now to fill in the outer edges of the painting, moving towards the middle, but I started in the middle at the edge of my lighter color. Let the indigo mix with the center color a bit, they will bleed in and around each other. Either way, fill the background, again leaving some areas with more or less paint.

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Then take a little more wet color (the lighter color) and drip it in around the edge of the colored part where it meets the indigo. I only did this step on the third galaxy attempt. It does give a different look, but with or without it, both ways look fine.

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Allow the whole thing to dry for an hour or so, then remove the masking fluid to reveal the stars!! There are so many galaxy tutorials out there… and it seems like everyone does them a little differently. Look around and try several ways.

 

Masking fluid is my favorite way of getting the stars nice and bright.

 

 

Day 9, 30×30 challenge: common octopus

Sticking with the octopus theme. I used EEM (Eventually, Everything Mixes) Burnt Sienna for this. And that dot of Daniel Smith Bloodstone for the eye, and a bit of white gouache for the suckers on the tentacles.

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June 1, 2018! Playing with masking fluid

I watched a Youtube tutorial by Makoccino (seen below, and linked here)

I used EEM (Eventually, Everything Mixes) and QoR watercolor paints, and my tiny Stillman and Birn Beta Series pocket journal.

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And then tried the ideas on my own yesterday. Here are my results:

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This is a very small journal, and a kind of flattish masking fluid pen, AND the middle of the page tore beneath the fluid on the flower one.

This was a simple, quick, relaxing (except the tearing page) exercise. Thanks, Makoccino!

April 29, 2018 Tulips? More QoR and EEM paint play

 

I saw these beautiful tulips yesterday at a big annual yard sale we attend each year in historic Hilton Village:

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And came up with this little sketch based loosely on them:

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A few things I don’t like much about this, but I still love the way the QoR paints inspire play, and the lovely granulation coming from the tiny addition of EEM’s ‘Tia’. (See my previous several posts for more about Eventually, Everything Mixes watercolor paints.)

April 27: still playing with EEM paints… more flowers (sort of? It started as flowers)

Today I used a couple of QoR colors with the handmade EEM paints. I love the combination of dispersion and granulation…

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Ohhh, that lovely QoR dispersion… this brown was just the tiniest dot of color added on top of the wet EEM paint, ‘Tia’.

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Look at this intense granulation, from the little dabs of ‘Tia’ dropped in here and there.

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Yum.

April 26, 2018: EEM paint again… sunflower?

A quick sketch using the same four “Eventually, Everything Mixes” (EEM) watercolor paints, in my 5″x5″ khadi watercolor journal.

There’s no excuse not to paint everyday, when in five or ten minutes SOMETHING can be done. And every little bit of practice teaches me something.

 

April 23: “Eventually, Everything Mixes”

“Eventually, Everything Mixes” (EEM) is a site with unique handmade paints.I visited the site in search of some extremely granulating colors I saw reviewed on Youtube, but they had sold out by the time I saw the review. (IMPORTANT: I hope you make more, EEM!!!) There were two paints left, Burnt Sienna and Mais, which I purchased. Included in my package were two generous sample dots of copper blue and tia, beautiful coordinating blues (on the green side). Tia is one of the AMAZING granulating paints I want… it is gorgeous. I love the copper blue, too! The full (sized) pans arrived from Germany looking very full indeed and professional executed, along with some German sweets, and 2 large swatched cards of the two purchased colors. In a fancy little box, too. 🙂

Once more colors are up, (if it coincides with the money in my bank account being up!), I hope to be able to purchase many more colors. Very nice. The paints rewet easily and are bold and vivid, without noticeable color shift upon drying. And even with shipping they were reasonably priced, for so much paint.

My quick sketch:

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